Emily Wardill: Sick Serena and Dregs and Wreck and Wreck

Sep 9, 2011 - Dec 30, 2011

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Emily Wardill, Sick Serena and Dregs and Wreck and Wreck. Photos courtesy of the artist, Claudia Altman-Siegel, San Francisco, STANDARD (OSLO), Oslo, Jonathan Viner / Fortescue Avenue, London.

Emily Wardill, Sick Serena and Dregs and Wreck and Wreck. Photos courtesy of the artist, Claudia Altman-Siegel, San Francisco, STANDARD (OSLO), Oslo, Jonathan Viner / Fortescue Avenue, London.

Emily Wardill, Sick Serena and Dregs and Wreck and Wreck. Photos courtesy of the artist, Claudia Altman-Siegel, San Francisco, STANDARD (OSLO), Oslo, Jonathan Viner / Fortescue Avenue, London.

Emily Wardill, Sick Serena and Dregs and Wreck and Wreck. Photos courtesy of the artist, Claudia Altman-Siegel, San Francisco, STANDARD (OSLO), Oslo, Jonathan Viner / Fortescue Avenue, London.Emily Wardill, Sick Serena and Dregs and Wreck and Wreck. Photos courtesy of the artist, Claudia Altman-Siegel, San Francisco, STANDARD (OSLO), Oslo, Jonathan Viner / Fortescue Avenue, London.Emily Wardill, Sick Serena and Dregs and Wreck and Wreck. Photos courtesy of the artist, Claudia Altman-Siegel, San Francisco, STANDARD (OSLO), Oslo, Jonathan Viner / Fortescue Avenue, London.

The Contemporary Art Museum (CAM), St. Louis, is proud to present a solo exhibition of the work of British filmmaker Emily Wardill.   The presentation will feature her 2007 film Sick Serena and Dregs and Wreck and Wreck, in which props and costumed performers appear in theatrical situations that evoke the stained glass windows of Gothic cathedrals, yet possess a contradictorily contemporary sensibility in their actions and manner of speech.  The title of the 12-minute film is a play on the popular phrase “Sex and Drugs and Rock and Roll” and captures both the obsessive and unconventional qualities of the acting and mise-en-scene, as well as the allusion to stained glass windows’ original function of communicating moralistic religious tales to a largely illiterate public.  The film suggests how allegory and metaphor were once used to condition and control human social behavior and how this condition is extended in contemporary political rhetoric.

Wardill was born in 1977 and lives and works in London.   Her work has been presented in solo exhibitions at the MIT List Visual Arts Center, Cambridge, Massachusetts (2010-2011) and at the de Appel, Amsterdam (2010).   Sick Serena… is currently featured in “ILLUMInations,” the Venice Biennale, Venice, Italy (2011), and has been featured in other prominent group exhibitions internationally, such as “The British Art Show,” Heywood Gallery, Tramway, Glasgow, Scotland, The Castle, Nottingham, England (2010) and “The Reach of Realism,” Museum of Contemporary Art, Miami, FL (2009).

Emily Wardill: Sick Serena and Dregs and Wreck and Wreck is organized by CAM St. Louis Chief Curator Dominic Molon